|
Fritz Hippler (17 August 1909 – 22 May 2002 - aged 92) was a German filmmaker who ran the film department in the Propaganda Ministry of the Third Reich, under Joseph Goebbels. He is most famous as director of the propaganda film ''Der Ewige Jude (The Eternal Jew)''. ==Early life and education== Hippler was born and brought up in Berlin as the son of a petty official. His father died in 1918 in the First World War in France. Hippler resented the Treaty of Versailles and its associated regulations, such as the assignment of the Danzig Corridor, the occupation of the Rhineland and the disarmament of Germany as unjustified humiliation, and rejected the Weimar democracy. In 1927, Hippler became a student member of the 1927 Nazi Party. Later he studied law in Heidelberg and Berlin. He was a member of the Teutonia dueling team in Heidelberg and the Berlin Arminia country team. In 1932 he became NSDAP district speaker. In 1933 he was appointed the district and high school group leader for Berlin-Brandenburg in the National Socialist German Students' League. He then started studying jurisprudence in Heidelberg and Berlin. He joined the student corporation ''Teutonia'' and took part in academic fencing. Hippler was a supporter of expressionism. As the leader of the National Socialist German Students' League of Berlin he organised an exhibition in Berlin's Humboldt University for expressionist painters, for which he was vehemently attacked by Rosenberg. In 1932, Hippler was expelled from the University of Berlin for inciting violence. On 19 April 1933, the new National Socialist Education Minister Bernhard Rust repealed any disciplinary actions against students associated with the Nazi Party, thus reinstating Hippler. On 22 May 1933, he gave a speech initiating a march from the student house in the Oranienburger Straße to Opera Square with books which were then burned. Hippler was later involved in a dispute over the direction of arts policy. He was satisfied with the anti-Jewish orientation of the arts policy and the consequent banishment of that art from museums and art dealers who had been created by people of Jewish faith. However he criticised in July 1933 at a rally of the National Socialist Student League in the lecture hall of the Berlin University the harsh action of some Nazi circles against the German modern artists like Emile Nolde and Barlach, the artists group Die Brücke, which was propagated by elements of the Nazi leadership as part of efforts against the Degenerate Art. Although Goebbels was a lover of Nolde, this direction after a word of argument was in favour of the more radical of Hitler's National Socialists, whose spokesman was Alfred Rosenberg and his Combat League for German Culture. Fritz Hippler earned his PhD in 1934 at the Heidelberg University with Arnold Bergstraesser and a dissertation titled ''"State and Society in the Thinking of John Stuart Mill, Karl Marx, and Paul de Lagarde. A contribution to the sociologial thinking of the present time''.〔German title:„Staat und Gesellschaft im Denken von John Stuart Mill, Karl Marx und Paul de Lagarde. Ein Beitrag zum soziologischen Denken der Gegenwart“. Source: Michaela Rethmeier: Die Funktion und Bedeutung Fritz Hipplers für das Filmschaffen im „Dritten Reich“. Page 93 (dissertation, University of Münster, 2006)〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Fritz Hippler」の詳細全文を読む スポンサード リンク
|